poetechnics transfluxions 1

(align:"=><=")+(box:"X")[=(if: visits is 1)[ (align:"=><=")[(dialog: "THESE TRANSFLUXIONS WORK BEST ON NON-PHONE SCREENS AND SOME REQUIRE MOUSE CURSORS FOR INTERACTION. IN OTHER WORDS, USING A LAPTOP, DESKTOP, OR TOUCHPAD-ENABLED TABLET IS RECOMMENDED FOR READERS/PLAYERS WHO WISH TO AVOID GLITCHES.", "OK")]] (text-colour:#f430b0)[(css: "font-size: 150%;")[**3 TRANSFLUXIONS**]] (text-color:white)[=[[⠿|SEIS ELECTRONES // SIX ELECTRONS]] [[𖦹|CONTINUACIÓN MUTANTE // MUTANT CONTINUUM]] [[𝄞|LIBROS EN EL UNIVERSO // BOOKS IN THE UNIVERSE]] (text-color:#f430b0)[(link-replace:'?')[(text-color:white)[(text-color:#f430b0)[**//Poétecnicas / Poetechnics//**] (Cardboard House Press, 2023) is a short gathering of poems, diagrams, and figures from Yaxkin Melchy's decade-in-the-making, five-part "constellation book" called //EL NUEVO MUNDO// or //THE NEW WORLD//. Central to Yaxkin's poetics in this project is an attempt to integrate poetry and science in order to transform the paradigms of both of these related, though traditionally partitioned, disciplines (read more (link-repeat:'here')[(go-to: 'poetechnics')]). As a translator of Yaxkin's work, I'm interested in extending this transformational impulse to the process of translation itself. The three "transfluxions" included here are meant to serve as a brief sampling. A loving artifact made possible by ongoing conversations with Yaxkin about ways to incorporate his sci-poetic approach into the creation and presentation of my translations. I'm hesitant to define "transfluxions," because my understanding of them is rooted in change. They are about celebrating slippage and indeterminacy. They invite (and depend on) interaction. They are designed to perform or make-visible the charged elements at the heart of a poem. My hope is that they can be small digital spores. Re-proliferating. Infectious. Regarding these three specific transfluxions, perhaps it is enough to say that they are grounded in an exploration of several potential equivalencies, including: (text-color:#f430b0)[//LANGUAGE AS QUANTUM STATE READING AS MUTATION CODE AS SCORE//] These transfluxions were coded using (link-repeat: 'Harlowe 3.3.3')[(open-url:"https://twine2.neocities.org/")] in (link-repeat:'Twine 2.0')[(open-url:"http://twinery.org/2/")] with sonic integration thanks to the (link-repeat:'Harlowe Audio Library')[(open-url:"https://twinelab.net/harlowe-audio/#/")] and free file hosting thanks to (link-repeat:'Glitch.com')[(open-url:"https://glitch.com/")]. They are best viewed on a screen bigger than a phone. Given that I am a non-coder coder, there are certainly bugs and glitches. If and when you find them, please <a href="mailto:ryanhgreene1@gmail.com?subject=Transfluxions">let me know</a>. Thx so much for reading/playing and I hope you enjoy! <3 Ryan Greene p.s. This project is licensed under the Creative Commons (link-repeat: 'Attribution-NonCommercial-NoDerivatives 4.0 International license')[(open-url: "https://www.google.com/url?q=https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby-nc-nd%2F4.0%2F&sa=D&sntz=1&usg=AOvVaw1_yM6lz_FjeWEbmIK2Qij7")]. If you are having trouble viewing the site, feel free to download the (link-repeat: 'original html file')[(open-url:"https://drive.google.com/file/d/1oMS5-VpD-vbolEgZWkYf62afgsoHGT6F/view?usp=share_link")] and open it in any browser.]]]

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(either: "SIX ELECTRONS", "SEIS ELECTRONES")(mouseout-replace: ?t)[(display: "tflux")]

(either: "The future is a womb", "El futuro es un vientre")(mouseout-replace: ?e1)[(display: "e1flux")]

(either: "Tradition puts down roots", "La tradición enraíza")(mouseout-replace: ?e2)[(display: "e2flux")]

(either: "Grows like a spiral", "Crece como una espiral")(mouseout-replace: ?e3)[(display: "e3flux")]

(either: "Flowers", "Flores")(mouseout-replace: ?e4)[(display: "e4flux")]

(either: "The circle of life is a field", "The life cycle is a field", "El ciclo de la vida es un campo", "El ciclo de la vida es un campo")(mouseout-replace: ?e5)[(display: "e5flux")]

(either: "Carbon is an elemental notion of poetry", "El carbono es una noción elemental de la poesía")(mouseout-replace: ?e6)[(display: "e6flux")]

(live: 0.001s)[(either: "SIX ELECTRONS", "SEIS ELECTRONES")](mouseover-replace: ?t)[(display: "t")]

(live: 0.001s)[(either: "The future is a womb", "El futuro es un vientre")](mouseover-replace: ?e1)[(display: "e1")]

(live: 0.001s)[(either: "Tradition puts down roots", "La tradición enraíza")](mouseover-replace: ?e2)[(display: "e2")]

(live: 0.001s)[(either: "Grows like a spiral", "Crece como una espiral")](mouseover-replace: ?e3)[(display: "e3")]

(live: 0.001s)[(either: "Flowers", "Flores")](mouseover-replace: ?e4)[(display: "e4")]

(live: 0.001s)[(either: "The circle of life is a field", "The life cycle is a field", "El ciclo de la vida es un campo", "El ciclo de la vida es un campo")](mouseover-replace: ?e5)[(display: "e5")]

(live: 0.001s)[(either: "Carbon is an elemental notion of poetry", "El carbono es una noción elemental de la poesía")](mouseover-replace: ?e6)[(display: "e6")]

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{(set:$lang to "eng") (set: $t1 to (a: "WHAT ARE POETECHNICS", "QUÉ SON LAS POETÉCNICAS")) (set: $t2 to (a: "//We need a dream-world in order to discover the features of the real world we think we inhabit.// Paul Karl Feyerabend, //Against Method//", "//Necesitamos un mundo de sueños para descubrir las características del mundo real que creemos que habitamos.// Paul Karl Feyerabend, //Against Method//")) (set: $t3 to (a: "Poetic designs that intervene technological and scientific languages. They are rooted in the poetic appropriation and exploration of scientific language and frameworks in order to reengage equations, diagrams, and schematics using the fibers of the heart. Poetechnics tell us that “scientific objectivity” is in dialogue with the creation of our subjectivity, and that the “objective” is connected with particular forms of feeling and thinking. Poetechnics reveal that the languages of the scientific method are subjective and that there’s nothing wrong with that―these languages can be springboards for the scientist’s and poet’s subjectivity: a game of knowledge and heart. Either way, to attend to one subjectivity is to attend to the other. The poetic laboratory and the scientific laboratory aren’t dissociated from one another. The poet is a scientist and the scientist is a poet who meet again when they each cultivate an observation of the world where the measured pattern of things and their mystery, the answer and the question dance together without either one dominating the other. Perhaps this is something that all our scientists and poets need―to freely cultivate a childlike and wonderstruck vision of our worlds without dissociating mind and body. I see poetechnics as a seed of new cultures where science and poetry are seen in another way. Cultures reverberating with the new nature summoned by the poet Kenji Miyazawa, and which was the integral poetics of Enrique Verástegui. Poetechnics are a contribution to the growth of interwoven worlds that can be more just toward (bio)diversity and more beautiful, and where the Krebs cycle and the irreducible singularity of life can beat within the heart as it watches a sprouting seed.", "Diseños poéticos que intervienen los lenguajes tecnológicos y científicos. Se basan en la apropiación y exploración poética del lenguaje y las formas de pensar de las ciencias para reencontrar ecuaciones, diagramas y esquemas con las fibras del corazón. Las poetécnicas nos dicen que la creación de la “objetividad científica” dialoga con la creación de nuestra subjetividad, y que lo “objetivo” está conectado con formas particulares de sentir y pensar. Las poetécnicas nos revelan que los lenguajes del método científico son subjetivos y que no hay problema con eso, pues estos lenguajes pueden ser trampolines para la subjetividad del científico y el poeta: un juego de conocimiento y corazón. En todo caso cuidar de una subjetividad es cuidar de la otra, el laboratorio poético y el laboratorio científico no están disociados. El poeta es un científico y el científico es un poeta, reencontrados cuando ambos cultivan una observación del mundo en la cual, el patrón medido de las cosas y su misterio, la respuesta y la pregunta danzan juntas sin que una domine a la otra. Quizá esto es algo que necesitan tanto nuestras científicas, científicos y poetas, cultivar con libertad una mirada juvenil y maravillada de los mundos sin disociar mente y corazón. Yo veo las poetécnicas como una semilla de nuevas culturas en las cuales la ciencia y la poesía se vuelven a ver de otra manera. Culturas que resuenan con la nueva naturaleza a la que convocaba el poeta Kenji Miyazawa y la poética integral de Enrique Verástegui. Las poetécnicas son una contribución al crecimiento de mundos entrelazados que sean más justos con la (bio)diversidad y más bellos, donde el ciclo de Krebs y la singularidad irreductible de la vida palpiten en el corazón mientras contempla germinar una semilla.")) } (align:"=><=")+(box: "X")[=**(css: "font-size: 150%;")[WHAT ARE POETECHNICS]<t1|** [//We need a dream-world in order to discover the features of the real world we think we inhabit.// Paul Karl Feyerabend, //Against Method//]<t2| [Poetic designs that intervene technological and scientific languages. They are rooted in the poetic appropriation and exploration of scientific language and frameworks in order to reengage equations, diagrams, and schematics using the fibers of the heart. Poetechnics tell us that “scientific objectivity” is in dialogue with the creation of our subjectivity, and that the “objective” is connected with particular forms of feeling and thinking. Poetechnics reveal that the languages of the scientific method are subjective and that there’s nothing wrong with that―these languages can be springboards for the scientist’s and poet’s subjectivity: a game of knowledge and heart. Either way, to attend to one subjectivity is to attend to the other. The poetic laboratory and the scientific laboratory aren’t dissociated from one another. The poet is a scientist and the scientist is a poet who meet again when they each cultivate an observation of the world where the measured pattern of things and their mystery, the answer and the question dance together without either one dominating the other. Perhaps this is something that all our scientists and poets need―to freely cultivate a childlike and wonderstruck vision of our worlds without dissociating mind and body. I see poetechnics as a seed of new cultures where science and poetry are seen in another way. Cultures reverberating with the new nature summoned by the poet Kenji Miyazawa, and which was the integral poetics of Enrique Verástegui. Poetechnics are a contribution to the growth of interwoven worlds that can be more just toward (bio)diversity and more beautiful, and where the Krebs cycle and the irreducible singularity of life can beat within the heart as it watches a sprouting seed.]<t3| ~Yaxkin Melchy (2022)~ (text-colour:white)[(link-rerun: "⇌")[(if:$lang is "eng")[(replace: ?t1)[(print:($t1's (2)))](replace: ?t2)[(print:($t2's (2)))](replace: ?t3)[(print:($t3's (2)))](set:$lang to "spa")](else-if:$lang is "spa")[(replace: ?t1)[(print:($t1's (1)))](replace: ?t2)[(print: ($t2's (1)))](replace: ?t3)[(print: ($t3's (1)))](set: $lang to "eng")]]] (text-color:#f430b0)[(css: "font-size: 150%;")[(link-repeat:"⌂")[(go-to: "start")]]]

(align:"=><=")+(box:"X")[=**(css: "font-size: 150%;")[(text-style:"superscript")+(css: "font-size: 100%;")[^^L^^](text-style:"subscript")[B](text-style:"superscript")+(css: "font-size: 100%;")[^^I^^](text-style:"subscript")[O](text-style:"superscript")+(css: "font-size: 100%;")[^^B^^](text-style:"subscript")[O](text-style:"superscript")+(css: "font-size: 100%;")[^^R^^](text-style:"subscript")[K](text-style:"superscript")+(css: "font-size: 100%;")[^^O^^](text-style:"subscript")[S](text-style:"superscript")+(css: "font-size: 100%;")[^^S^^](text-style:"subscript")[ ](text-style:"superscript")+(css: "font-size: 100%;")[^^ ^^](text-style:"subscript")[I](text-style:"superscript")+(css: "font-size: 100%;")[^^E^^](text-style:"subscript")[N]]** (Set: $s to (text-style:"subscript")+(css: "font-size: 100%;")) (set: $u to (text-style:"superscript")+(css: "font-size: 100%;")) (set: $mix1 to "L$s[B]I$s[O]B$s[O]R$s[K]O$s[S]S$s[ ] $s[I]E$s[N]N$s[ ] $s[T]E$s[H]L$s[E] $s[ ]U$s[U]N$s[N]I$s[I]V$s[V]E$s[E]R$s[R]S$s[S]O$s[E]") **(css: "font-size: 150%;")[$mix1]** **(css: "font-size: 150%;")[<b>(text-style:"superscript")+(css: "font-size: 100%;")[^^L^^](text-style:"subscript")[B](text-style:"superscript")+(css: "font-size: 100%;")[^^I^^](text-style:"subscript")[O](text-style:"superscript")+(css: "font-size: 100%;")[^^B^^](text-style:"subscript")[O](text-style:"superscript")+(css: "font-size: 100%;")[^^R^^](text-style:"subscript")[K](text-style:"superscript")+(css: "font-size: 100%;")[^^O^^](text-style:"subscript")[S](text-style:"superscript")+(css: "font-size: 100%;")[^^S^^](text-style:"subscript")[ ]</b>]** {(set: $t3 to (a: "01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 00100000 01101000 01100101 01100001 01110010 01110100 00100000 01110000 01101111 01100101 01101101 ", "01110000 01101111 01100101 01101101 01100001 00100000 01100100 01100101 01101100 00100000 01100011 01101111 01110010 01100001 01111010 11110011 01101110 00100000 01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 01101111", "$u[0]$s[0]$u[1]$s[1]$u[1]$s[1]$u[1]$s[0]$u[0]$s[0]$u[0]$s[1]$u[0]$s[1]$u[0]$s[0] 0$s[0]1$s[1]1$s[1]0$s[0]1$s[1]1$s[0]1$s[0]1$s[1] 0$s[0]1$s[1]1$s[1]0$s[1]0$s[0]1$s[0]0$s[1]1$s[0] 0$s[0]1$s[1]1$s[1]0$s[0]1$s[1]1$s[1]0$s[0]1$s[1] 0$s[0]1$s[1]1$s[1]0$s[0]0$s[0]0$s[0]0$s[0]1$s[1] 0$s[0]0$s[1]1$s[1]0$s[0]0$s[1]0$s[1]0$s[0]0$s[1] 0$s[0]1$s[1]1$s[1]0$s[0]0$s[0]1$s[1]0$s[0]0$s[1] 0$s[0]1$s[1]1$s[1]0$s[0]0$s[1]1$s[1]0$s[1]1$s[0] "))} <b>(print: ($t3's (3)))</b>

{(set: $lang to "eng") (track: 'eng', 'play') (Set: $s to (text-style:"subscript")+(css: "font-size: 100%;")) (set: $u to (text-style:"superscript")+(css: "font-size: 100%;")) (set: $t1 to (a: "BOOKS IN THE UNIVERSE", "LIBROS EN EL UNIVERSO", "L$s[B]I$s[O]B$s[O]R$s[K]O$s[S]S$s[ ] $s[I]E$s[N]N$s[ ] $s[T]E$s[H]L$s[E] $s[ ]U$s[U]N$s[N]I$s[I]V$s[V]E$s[E]R$s[R]S$s[S]O$s[E]")) (set: $t2 to (a: "to my father", "a mi padre", " $s[t]a$s[o] $s[ ]m$s[m]i$s[y] $s[ ]p$s[f]a$s[a]d$s[t]r$s[h]e$s[e] $s[r]")) (set: $t3 to (a: "01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 00100000 01101000 01100101 01100001 01110010 01110100 00100000 01110000 01101111 01100101 01101101 ", "01110000 01101111 01100101 01101101 01100001 00100000 01100100 01100101 01101100 00100000 01100011 01101111 01110010 01100001 01111010 11110011 01101110 00100000 01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 01101111")) (set: $m1 to [(link-repeat: '𝅘𝅥𝅮')[(masteraudio: 'stopall')(track: 'esp', 'play')(replace:?m1)[$m1stop](replace:?m2)[$m2](replace:?m3)[$m3](replace: ?t1)[(print:($t1's (2)))](replace: ?t2)[(print:($t2's (2)))](replace: ?t3)[(print:($t3's (2)))](set:$lang to "spa")]]) (set: $m1stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m1)[$m1]]]) (set: $m2 to [(link-repeat: '𝅘𝅥𝅯')[(masteraudio: 'stopall')(track: 'eng', 'play')(replace:?m1)[$m1](replace:?m2)[$m2stop](replace:?m3)[$m3](replace: ?t1)[(print:($t1's (1)))](replace: ?t2)[(print: ($t2's (1)))](replace: ?t3)[(print: ($t3's (1)))](set: $lang to "eng")]]) (set: $m2stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m2)[$m2]]]) (set: $m3 to [(link-repeat: '𝅘𝅥𝅰')[(masteraudio: 'stopall')(track: 'mix', 'play')(replace:?m1)[$m1](replace:?m2)[$m2](replace:?m3)[$m3stop](replace: ?t1)[(print:($t1's (3)))](replace: ?t2)[(print:($t2's (3)))](replace: ?t3)[(print:($t3's (2)))](set:$lang to "mix")]]) (set: $m3stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m3)[$m3]]])} (align:"=><=")+(box:"X")[=**(css: "font-size: 150%;")[BOOKS IN THE UNIVERSE]<t1|** //[to my father]<t2|// <style> img {max-width:35%;max-height:35%}</style><img src = "https://cdn.glitch.global/80955636-4283-4e52-84cb-e0d82b18d421/Libros%20en%20futuro%20300dpi.jpg?v=1667492560709"> [01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 00100000 01101000 01100101 01100001 01110010 01110100 00100000 01110000 01101111 01100101 01101101 ]<t3| (text-colour:white)[[$m1]<m1| [$m2stop]<m2| [$m3]<m3| / (link-repeat:"00111111")[(if:$lang is "eng" or "mix")[(open-url:"https://www.binarytranslator.com/")](else-if:$lang is "spa")[(open-url:"https://www.traductorbinario.com/")]]] (text-color:#f430b0)[(css: "font-size: 150%;")[(link-repeat:"⌂")[(masteraudio:"stopall")(go-to: "start")]]]

(set: $a1 to (a: "1", "0", "0", "0", "1", "0", "0")) (set: $a2 to (a: "0", "0", "1", "1", " ", " ", " ")) (set: $pos to 1) (Set: $s to (text-style:"subscript")+(css: "font-size: 100%;")) (set: $u to (text-style:"superscript")+(css: "font-size: 100%;")) (set: $go to [$u[(print: ($a1's ($pos)))]$s[(print: ($a2's ($pos)))](set:$pos to it +1)]) <b>(if: $pos < 7)[$go$go$go$go$go$go$go]</b> (for:

(set: $a1 to (a: "1", "2", "3", "4", "5", "6", "7", "8")) (set: $a2 to (a: "A", "B", "C", "D", "E", "F", " ", " ")) (set: $text to [(for: each _pos, ...(range: 1, 8))[(text-style:"superscript")+(css: "font-size: 100%;")(print: ($a1's (_pos)))(text-style:"subscript")+(css: "font-size: 100%;")(print: ($a2's (_pos)))]]) $text (set: $a to (a: (a: "1", "2", "3", "4", "5", "6", "7", "8"), (a: "A", "B", "C", "D", "E", "F", " ", " "))) (set: $test to [(for: each _pos, ...(range: 1, 8))[(text-style:"superscript")+(css: "font-size: 100%;")(print: ($a's 1st's (_pos)))(text-style:"subscript")+(css: "font-size: 100%;")(print: ($a's 2nd's (_pos)))]]) $test (joined:"", ...($a's 1st))

(set: $t1 to (a: (a: "B","O","O","K","S"," ","I","N"," ","T","H","E"," ","U","N","I","V","E","R","S","E"), (a: "L","I","B","R","O","S"," ","E","N"," ","E","L"," ","U","N","I","V","E","R","S","O"))) (set: $t2 to (a: (a: "t","o"," ","m","y"," ","f","a","t","h","e","r"), (a: "a"," ","m","i"," ","p","a","d","r","e", " ", " "))) (set: $t3 to (a: (a: "0","1","1","0","0","1","1","0"," ","0","1","1","0","1","0","0","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","1","0"," ","0","1","1","1","0","1","0","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","1","0","0","0"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","1","0","1","0","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","1","0","0","0","0"," ","0","1","1","0","1","1","1","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","0","1"," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "), (a:"0","1","1","1","0","0","0","0"," ","0","1","1","0","1","1","1","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","0","1","0","0"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","0","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","0","0","1","1"," ","0","1","1","0","1","1","1","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","0","0","0","0","1"," ","0","1","1","1","1","0","1","0"," ","1","1","1","1","0","0","1","1"," ","0","1","1","0","1","1","1","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","0","1","1","0"," ","0","1","1","0","1","0","0","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","1","0"," ","0","1","1","1","0","1","0","0"," ","0","1","1","0","1","1","1","1"))) **(joined:"", ...($t1's 1st)) (joined:"", ...($t1's 2nd))** <b>(for: each _pos, ...(range: 1, 21))[(text-style:"superscript")+(css: "font-size: 100%;")(print: ($t1's 2nd's (_pos)))(text-style:"subscript")+(css: "font-size: 100%;")(print: ($t1's 1st's (_pos)))]</b> //(joined:"", ...($t2's 1st)) (joined:"", ...($t2's 2nd))// //<c>(for: each _pos, ...(range: 1, 12))[(text-style:"superscript")+(css: "font-size: 100%;")(print: ($t2's 2nd's (_pos)))(text-style:"subscript")+(css: "font-size: 100%;")(print: ($t2's 1st's (_pos)))]</c>// (print: $t3's 1st's length) (print: $t3's 2nd's length) (joined:"", ...($t3's 1st)) (joined:"", ...($t3's 2nd)) <c>(for: each _pos, ...(range: 1, 251))[(text-style:"superscript")+(css: "font-size: 100%;")(print: ($t3's 2nd's (_pos)))(text-style:"subscript")+(css: "font-size: 100%;")(print: ($t3's 1st's (_pos)))]</c>

{(set: $lang to "eng") (track: 'eng', 'play') (Set: $s to (text-style:"subscript")+(css: "font-size: 100%;")) (set: $u to (text-style:"superscript")+(css: "font-size: 100%;")) (set: $t1 to (a: (a: "B","O","O","K","S"," ","I","N"," ","T","H","E"," ","U","N","I","V","E","R","S","E"), (a: "L","I","B","R","O","S"," ","E","N"," ","E","L"," ","U","N","I","V","E","R","S","O"))) (set: $t2 to (a: (a: "t","o"," ","m","y"," ","f","a","t","h","e","r"), (a: "a"," ","m","i"," ","p","a","d","r","e", " ", " "))) (set: $t3 to (a: (a: "0","1","1","0","0","1","1","0"," ","0","1","1","0","1","0","0","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","1","0"," ","0","1","1","1","0","1","0","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","1","0","0","0"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","1","0","1","0","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","1","0","0","0","0"," ","0","1","1","0","1","1","1","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","0","1"," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "," "), (a:"0","1","1","1","0","0","0","0"," ","0","1","1","0","1","1","1","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","0","1","0","0"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","0","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","0","0","1","1"," ","0","1","1","0","1","1","1","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","0","0","0","0","1"," ","0","1","1","1","1","0","1","0"," ","1","1","1","1","0","0","1","1"," ","0","1","1","0","1","1","1","0"," ","0","0","1","0","0","0","0","0"," ","0","1","1","0","0","1","1","0"," ","0","1","1","0","1","0","0","1"," ","0","1","1","1","0","0","1","0"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","0","0","1"," ","0","1","1","0","1","1","0","1"," ","0","1","1","0","0","1","0","1"," ","0","1","1","0","1","1","1","0"," ","0","1","1","1","0","1","0","0"," ","0","1","1","0","1","1","1","1"))) (set: $m1 to [(link-repeat: '𝅘𝅥𝅮')[(masteraudio: 'stopall')(track: 'esp', 'play')(replace:?m1)[$m1stop](replace:?m2)[$m2](replace:?m3)[$m3](replace: ?t1)[(joined:"", ...($t1's 2nd))](replace: ?t2)[(joined:"", ...($t2's 2nd))](replace: ?t3)[(joined:"", ...($t3's 2nd))](set:$lang to "spa")]]) (set: $m1stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m1)[$m1]]]) (set: $m2 to [(link-repeat: '𝅘𝅥𝅯')[(masteraudio: 'stopall')(track: 'eng', 'play')(replace:?m1)[$m1](replace:?m2)[$m2stop](replace:?m3)[$m3](replace: ?t1)[(joined:"", ...($t1's 1st))](replace: ?t2)[(joined:"", ...($t2's 1st))](replace: ?t3)[(joined:"", ...($t3's 1st))](set: $lang to "eng")]]) (set: $m2stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m2)[$m2]]]) (set: $m3 to [(link-repeat: '𝅘𝅥𝅰')[(masteraudio: 'stopall')(track: 'mix', 'play')(replace:?m1)[$m1](replace:?m2)[$m2](replace:?m3)[$m3stop](replace: ?t1)[<b>(for: each _pos, ...(range: 1, 21))[$u(print: ($t1's 2nd's (_pos)))$s(print: ($t1's 1st's (_pos)))]</b>](replace: ?t2)[<c>(for: each _pos, ...(range: 1, 12))[$u(print: ($t2's 2nd's (_pos)))$s(print: ($t2's 1st's (_pos)))]</c>](replace: ?t3)[<c>(for: each _pos, ...(range: 1, 251))[$u(print: ($t3's 2nd's (_pos)))$s(print: ($t3's 1st's (_pos)))]</c>](set:$lang to "mix")]]) (set: $m3stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m3)[$m3]]])} (align:"=><=")+(box:"X")[=**(css: "font-size: 150%;")[BOOKS IN THE UNIVERSE]<t1|** //[to my father]<t2|// <style> img {max-width:35%;max-height:35%}</style><img src = "https://cdn.glitch.global/80955636-4283-4e52-84cb-e0d82b18d421/Libros%20en%20futuro%20300dpi.jpg?v=1667492560709"> [01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 00100000 01101000 01100101 01100001 01110010 01110100 00100000 01110000 01101111 01100101 01101101 ]<t3| (text-colour:white)[[$m1]<m1| [$m2stop]<m2| [$m3]<m3| / (link-repeat:"00111111")[(if:$lang is "eng" or "mix")[(open-url:"https://www.binarytranslator.com/")](else-if:$lang is "spa")[(open-url:"https://www.traductorbinario.com/")]]] (text-color:#f430b0)[(css: "font-size: 150%;")[(link-repeat:"⌂")[(masteraudio:"stopall")(go-to: "start")]]]

{(set:$lang to "eng") (set: $t1 to (a: "BOOKS IN THE UNIVERSE", "LIBROS EN EL UNIVERSO")) (set: $t2 to (a: "to my father", "a mi padre")) (set: $t3 to (a: "01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 00100000 01101000 01100101 01100001 01110010 01110100 00100000 01110000 01101111 01100101 01101101 ", "01110000 01101111 01100101 01101101 01100001 00100000 01100100 01100101 01101100 00100000 01100011 01101111 01110010 01100001 01111010 11110011 01101110 00100000 01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 01101111")) (set: $m1 to [(link-repeat: '𝅘𝅥𝅮')[(masteraudio: 'stopall')(track: 'esp', 'play')(replace:?m1)[$m1stop](replace:?m2)[$m2](replace:?m3)[$m3]]]) (set: $m1stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m1)[$m1]]]) (set: $m2 to [(link-repeat: '𝅘𝅥𝅯')[(masteraudio: 'stopall')(track: 'eng', 'play')(replace:?m1)[$m1](replace:?m2)[$m2stop](replace:?m3)[$m3]]]) (set: $m2stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m2)[$m2]]]) (set: $m3 to [(link-repeat: '𝅘𝅥𝅰')[(masteraudio: 'stopall')(track: 'mix', 'play')(replace:?m1)[$m1](replace:?m2)[$m2](replace:?m3)[$m3stop]]]) (set: $m3stop to [(link:'◻')[(masteraudio: 'stopall')(replace:?m3)[$m3]]])} (align:"=><=")+(box:"X")[=**(css: "font-size: 150%;")[BOOKS IN THE UNIVERSE]<t1|** //[to my father]<t2|// <style> img {max-width:35%;max-height:35%}</style><img src = "https://cdn.glitch.global/80955636-4283-4e52-84cb-e0d82b18d421/Libros%20en%20futuro%20300dpi.jpg?v=1667492560709"> [01100110 01101001 01110010 01101101 01100001 01101101 01100101 01101110 01110100 00100000 01101000 01100101 01100001 01110010 01110100 00100000 01110000 01101111 01100101 01101101 ]<t3| (text-colour:white)[(link-rerun: "⇵")[(if:$lang is "eng")[(replace: ?t1)[(print:($t1's (2)))](replace: ?t2)[(print:($t2's (2)))](replace: ?t3)[(print:($t3's (2)))](set:$lang to "spa")](else-if:$lang is "spa")[(replace: ?t1)[(print:($t1's (1)))](replace: ?t2)[(print: ($t2's (1)))](replace: ?t3)[(print: ($t3's (1)))](set: $lang to "eng")]] / [$m1]<m1| [$m2]<m2| [$m3]<m3| / (link-repeat:"00111111")[(if:$lang is "eng")[(open-url:"https://www.binarytranslator.com/")](else-if:$lang is "spa")[(open-url:"https://www.traductorbinario.com/")]]] (text-color:#f430b0)[(css: "font-size: 150%;")[(link-repeat:"⌂")[(masteraudio:"stopall")(go-to: "start")]]]